“We can’t sit on that” said Ravi Shankar as we looked down on the unvarnished and splintery floor boards on the stage
Alla Rakha on tabla, Prodyut Sen on tamboura and Ravi Shankar on sitar.
My elation at having secured a visit from Ravi Shankar and his group was rapidly evaporating. We were in the Holywell Music Room in Oxford. It was 1958 and Ravi Shankar was already an international star and the leading player of Indian classical music throughout the world. He had composed the music for Satjit Ray’s internationally acclaimed film “Pather Panchali” and was well known for his performances throughout the USA, Europe and India. He was well on the way to super stardom, with performances to come in the 1960s with George Harrison, Yehudi Menuhin and at Woodstock.
I was president of the Oxford Majlis, a University club specialising in Asian politics and culture. I had been somewhat surprised when Ravi Shankar had accepted my invitation and considered it very gracious of him. And now, having dined him and his group at the Oxford Union, we had taken a taxi the short distance to the Holywell Music Room, the oldest custom-built concert hall in Europe, opening in1748.
The show was going to be a sell-out with all two hundred or so of the tickets already sold. Fortunately we had half an hour to go before the performance was due to start.
I assured Ravi that I would sort something out but I was not sure that he looked all that convinced. I sent one of my committee members to search through the props boxes of the stage and after a few moments he came back triumphantly with an armful of blankets. Blessed relief. The show would go on. However euphoria rapidly turned to despair as we shook out the blankets in a cloud of choking dust and discovered they had been eaten to shreds by rats.
Ravi did not look happy.
I had to do something and assured him I would find a solution and that he and his group would be comfortably seated. I explained that this would take about five minutes.
Ravi looked sceptical.
Fortunately my college, Wadham, was a two minute dash round the corner. I raced in through the gatehouse and entered the first room in the corner of the quadrangle. All doors in those days were unlocked and luckily there was no sign of the undergraduate who resided there. I grabbed all the blankets off the bed plus a small rug off the floor and raced past the porter in the gatehouse, round the corner and into the Music Room, pushing past the audience who were beginning to turn up.
Ravi asked no questions, happily settled down on the pirated blankets and rug and went on to delight the audience with a magnificent sitar recital.
Close to a quarter of a century later I took my son Rodney and his friend Sean to a Ravi Shankar performance in the Sydney Opera House. As I looked at Ravi on the stage and around at the sell-out audience of two thousand or so, I had a moment of quiet satisfaction at knowing I had played a small and totally irrelevant role in his career.
Sydney, January 2021